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"Camera Meri Mehbooba Hai", Said Dharmendra, Reveals Anil Sharma | Exclusive_我的网站

一 |     【品橙旅游】进入八月下旬，暑期进度条已然告急。

二 |     Filmmaker Anil Sharma's association with Dharmendra and the Deol family goes back a long way. He had directed the late actor in Hukumat (1987), which went on to be one of the biggest blockbusters of the filmmaker's career. Together, they delivered more hits such as Elaan-E-Jung (1989), Farishtay (1991) and Apne (2007). Filmfare caught up with Sharma, who opened his heart about this bond with Dharmendra.Excerpts:     What kind of an impact did Dharamji have on your life and career?     My entire career exists because of him. The first star I ever saw on the big screen was Dharmendra. When I became an assistant director, I worked with him on The Burning Train (1980). And the biggest blockbuster of my life, my first blockbuster Hukumat was also with him. We also did Elaan-E-Jung, Farishtay (1991) and Tahalka (1992), and all four were hits.          I worked with his son Sunny Deol on Gadar: Ek Prem Katha (2001). I produced Policewala Gunda (1995) and directed Ab Tumhare Hawale Watan Saathiyo (2004) with Bobby Deol. My film Apne had all the three Deols in it. Then there were The Hero: Love Story of a Spy (2003) and Singh Saab The Great (2013). My whole life has been spent working with the Deols and most with Dharamji. I consider myself fortunate to have worked with this family and Dharmendra. He was a legend, an era by himself . People love him so much because he too loved them in equal measure.     Go on...     Dharmendra was a young man from Sahnewal... He would stand before the Frontier Mail train and say, 'Frontier, please take me to Bombay.' And truly, Dharmendra became the film industry. He would have 6–7 releases in a single year, and all of them were hits… Today, if an actor gives even three hits in a year, he’ll run around with a sword, ready to conquer the entire country.     Dharmendra ji delivered massive blockbusters that no hero today has ever seen on that scale. It was not just action films that worked. He did films like Anupama, Chupke Chupke, Naya Zamana, Mera Gaon Mera Desh, Pratigya, Yaadon Ki Baarat, Hukumat. He had such a range! All these were hit films. And he was so handsome… It felt like God crafted him with his own hands, and then broke the mould forever. He was what you truly call, 'a Greek God'. Today we loosely call many heroes 'Greek God' but the real Greek God was Dharmendra.          It is said that he never increased his fee even after delivering blockbusters...He had multiple hits releasing at the same time. When he watched Hukumat, he liked it a lot. His payment terms used to be that some money was given during production and the rest upon release. So, he told me, 'Anil, you've made such a wonderful film, I'm waving off my entire balance fee.' He would waive off his remaining payment if you made a good film. He had no attachment to money; his attachment was only to good cinema.     How was your last meeting with him?     It was a couple of months ago. He asked me about the films I was working on. He then said that he wants to do such a film that the world will watch in awe and asked me to find a role for him. He said, "Camera meri mehbooba hai, aur mujhe miss kar rahi hai..." (Camera is my beloved, and she is missing me) I'm missing her too and I have to go back to her. He actually had a film ready to release and in the last couple of years, he had done films, and he had such passion even at the age of 89. He would tell me, "Just watch, I’ll do such good work that the world will watch… you’ll see what I’ll do. You’ll see." It felt like he was the same little boy from Sahnewal.                                                                 View this post on Instagram          A post shared by Anil Sharma (@anilsharma_dir)               How was Dharmendra as a person when the cameras stopped rolling?      Dharamji never realised how big his stardom and influence was. We would tell him that you are such a big star and he would say, "I am nothing...I am just a farmer, a man of the soil." In fact, the entire Deol family is like that. They genuinely believe they are still new and have a lot more to achieve. Dharam ji once said that he worked only for the people and their love. He came to be a part of the film industry, and he didn’t just become a part of it, he became the film industry itself.     Tell us about Sher, Dharmendra's shelved James Bond style spy thriller...     Sher goes back to 1988. I wanted to make a James Bond–style film. Recently the poster suddenly resurfaced, and everyone was shocked seeing Dharmendra with such a fantastic, powerful physique. I was a big fan of Bond films, because what does a Bond film need? Personality, handsomeness, wit, romance in the eyes, action prowess, intelligence, and Dharam ji had every single one of those qualities. But somehow, the film couldn’t get made. Hukumat hadn’t released yet at that time and I had signed Sher during Hukumat itself. The producer ran into some issues. If the film had been made, it would have been something remarkable in Dharamji’s career. I still have the script with me. Even now, people tell me to make it with Sunny Deol. I haven’t thought about it yet, but yes, I’ll see, and maybe I will think about it again.     What do you want people to remember most about Dharmendra and his legacy?     He was a genuinely good human being who knew how to love. I used to ask him what defines a good actor and he always said that a good actor is first a good person. If today’s actors understand just this one thing, they’ll automatically become better actors. If you’re a good person, you can play a bad man, you can play a worthless man, you can play an average man. His goodness, and the way he showered love on people, these two qualities were truly special about him. And that is exactly how he will always be remembered. He is a legend and legends never die, they remain immortal.     Also Read: Exclusive: When Esha Deol Called Dharmendra and Hema Malini Excellent Babysitters。受“请3休13”超长拼假带动，2026中秋国庆提前订热潮开始加速“抢跑”。

三 | 同程旅行数据显示，截至8月24日，平台上“中秋”、“国庆”等关键词搜索热度月环比增长116%，中秋国庆旅行产品提前30天以上的预订热度较去年同期涨超20%。    从用户流向来看，1200公里以上国内长航线机票预订热度持续领跑，新疆、西藏、云南等均是长线热门目的地；酒店住宿方面，5天以上酒店长住订单预订逐步起量，大床房、亲子房等房型较为抢手。          长线游“领跑”提前订热潮，中短途多元玩法接档“黄金周”          相较往年，今年中秋国庆提前订的周期进一步拉长，尤其国内长线游市场表现突出，率先“点燃”十一黄金周的出游热情。

四 |     同程旅行数据显示，截至8月24日，中秋国庆出发的1200公里以上国内长航线机票预订热度月环比增长56%，且亲子家庭和年轻客群占比突出。

五 | 其中，飞往新疆乌鲁木齐、伊犁的机票预订热度月环比增长72%，飞往云南迪庆、德宏的机票预订热度月环比增长63%。    度假产品方面，同程旅行数据显示，截至8月24日，中秋国庆出发的国内长线跟团游、定制游产品预订热度环比7月增长近一倍，行程天数在6至10天的产品占比超过六成，新疆、西藏、甘肃、云南、海南位列预订热度前五。线路方面，8天7晚伊犁深度+赛里木湖+那拉提+库尔德宁+夏塔+独库拼小团、8天7晚西藏拉萨+日喀则+纳木措+羊卓雍措+珠峰大本营拼小团等产品销量持续走俏。    不止长线游提前订势头突出，中短途游预订热度也在逐步上升。中秋、国庆正值秋高气爽的好时节，用户玩法更加多元化、目的地选择上更加丰富。

六 | 同程旅行数据显示，截至8月24日，中秋国庆期间出发的“滨海游”、“古建游”、“文博游”、“山水游”等多种类型旅行产品预订不断走热。落到酒店住宿场景上，成都、广州、上海、西安、北京、青岛、苏州、南京、三亚、太原一同跻身中秋国庆酒店“提前订”十大热门城市。               县域目的地热度攀升，“奔县深度游”或成黄金周新亮点          在追求小众化、松弛感的旅行诉求下，今年中秋国庆一批县域目的地提前订热度显著，较长的假期时间也为“奔县深度游”提供了有利条件。县域正从过去的“途经地”转变为假期出行的独立目的地，成为黄金周旅游市场的新变量。    同程旅行数据显示，截至8月24日，中秋国庆出发的县域目的地相关旅行产品预订热度月环比增长超60%，安吉、婺源、建水、黟县、平遥、昭苏、阳朔、荔波、平潭、仙居等目的地跻身热门县域TOP10榜单。不少游客选择落地省会或区域中心城市后租车前往县域，灵活串联周边村镇，实现“一站多村”的深度游。

七 | 从租车热度来看，截至8月24日，中秋国庆县域租车提前订热度增长尤为突出，月环比涨幅接近80%。

八 |          与之相应地，中秋国庆县域目的地酒店民宿提前订的热度也在逐步上升，预订热度较7月份增长55%。

九 | 从住宿偏好来看，带有“山景房”、“设计感”、“亲子设施”等标签的酒店民宿搜索及预订热度靠前，入住天数大多在3-7晚。

十 |     同程研究院分析认为，在“请3休13”超长拼假的带动下，今年中秋国庆假期预订周期较往年明显拉长，用户提前订的热度持续攀升。长线深度游与县域松弛游表现突出，折射出游客在目的地选择上更倾向于沉浸感与差异化体验。随着假期日益临近，相关产品预订热度将进一步走高，为中秋国庆旅游市场带来新一轮增长。    返回，查看更多。

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Published on:12:15:45